King Sorrow by Joseph Hillstrom King Analysis – An Epic Horror Epic Delivers Masterpiece-Level Thrills
A group of six oddball but brave youngsters fall into the path of a vast and terrible supernatural malevolence that has infiltrated our existence from the farthest reaches of oblivion. They must spend their lifetimes battling it, enduring horror after horror in the ordeal.
An Echoing Plot with a Fresh Twist
This is the plot, roughly, of the master of horror’s novel It (his best; no arguments). It similarly frames of King’s son Joe Hill’s recent horror doorstopper, in which a band of six summon the ancient, utterly malevolent beast the Sorrowful Monarch from the Long Dark to aid them in overcoming some antagonists. Unsurprisingly, their arcane ceremony has unintended consequences.
Acknowledging a Authorial Lineage
Joe Hill launched his profession striving diligently to remain separate from his renowned parent, using the pseudonym he maintains to this day and eschewing in-person meetings with his agent (he exhibits a uncanny likeness to his parent). Yet with this recent release, he fully acknowledges it. Several quotes that consciously reflect some of King’s most famous (that classic opening line); a moment that brings to mind a King plot point (a game of puzzles). In this epic story, Hill is delighting in his heritage, and the audience revels alongside.
Meet the Main Characters
Focusing on the companions: five of them are scholars at the made-up the esteemed institution in this northeastern locale. There’s Arthur, studious and brilliant, cracking ancient puzzles in his free moments; the character Colin, wealthy, astute, and known for crushing anyone who stands in his way; Donna and Donovan; the stunning the lovely Allie. Additionally, Gwen appears, who doesn’t study with them, but assumes a vital role of their band as they toy, partly convinced, partly skeptical, in supernatural practices.
The Critical Ritual
Arthur is, as a result of external pressures, obliged to take rare books from his cherished academic collection by a bunch of local criminals. This wounds his academic spirit, particularly as he’s made to take the collection’s foremost and disturbing publication: the logbook of occultist Enoch Crane (put to death “for conspiring with dark forces in 1703”; the binding is crafted from his flesh). These young investigators examine the log, discover they could summon what the author references as a armoured devil” to help Arthur out with his extortion dilemma – and spend the rest of the novel enduring the repercussions. The dragon will certainly eliminate those problematic neighborhood criminals, but they must select a new sacrifice annually or succumb to the dragon’s wrath. In the character’s own words: “You sow dragon’s teeth, all you get is further monstrosities.”
Genre Versatility and Inventive Breadth
Spanning forty years, Joe Hill transitions with natural fluency across narrative styles: as the companions endeavor to address the predicament they find themselves in by, variously, selecting clearly malevolent individuals to sacrifice, or searching for methods to slay the beast themselves, we move between thriller to dark fantasy, clandestine torment to love story to fright. One particularly memorable shift was to a quest story, deep in the caves under the English county, a section sprinkled with the fantasy maestro that was wonderfully frightening.
An Expansive Mosaic of Horror and Courage
The novel features trolls – the classic variety and online ones, truly terrifying and superbly depicted. We see enchanted blades and betrayals, heart-stopping scenes of bravery and scenes of terrible wickedness, both earthly and extraterrestrial. This is a remarkable achievement: a chilling book that is above all a tribute to the creative spirit, and to devotion and companionship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the companions sit around the table, preparing to summon their dragon to life with the force of their minds.
In the author’s own words in his opening statement: “Hic sunt dracones”. Don’t miss them.